The Harmony section, exploring Amy’s musical influences and creative process
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Ed Reeve
An installation called ‘In The Studio’, designed by set designer Chiara Stephenson and edited by Luke Halls Studio
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The fashion section, displaying garments that Amy wore to key performances against a backdrop of screens examining her unique style
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Amy’s garments during the Frank era demonstrate her humble beginnings as a North London girl who bought looks off the rail from the highstreet, with jazz and Hip Hop inflections
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Key dresses from Amy’s career, including the yellow ‘Power’ dress designed by Preen for her red-carpet appearance at the 2006 BRIT Awards
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An installation called ‘Finale’, designed by set designer Chiara Stephenson with animation by Studio Moross, offering visitors a performance of Amy’s song ‘Tears Dry On Their Own’
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An installation called ‘Finale’, designed by set designer Chiara Stephenson with animation by Studio Moross, offering visitors a performance of Amy’s song ‘Tears Dry On Their Own'
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Ed Reeve
In the immediate aftermath of Amy’s death, fans wrote tribute notes to Amy on the street signs outside her house in Camden Square, North London
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A pair of jeans that Amy wore to record early demos before the release of Frank (2003); she stitched ‘Sinatra Is God’ on the backside
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Amy’s Grech white falcon electronic guitar
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The dress that Amy wore to her last every performance, designed by stylist and friend Naomi Parry
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A replica of the red Karen Millen dress that Amy wore to the 2004 BRIT Awards
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Amy’s beehive, styled by hair stylist Tracey Cahoon
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The pink graphic dress that Amy wore around Camden in 2010 and the look she wore to the 2007 Q Awards, the skirt and dress are designed by Patricia Field
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A replica of the Arrogant Cat dress that Amy wore in the video for the track ‘Tears Dry On Their Own’, directed by David LaChapelle in 2007